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AI Voiceover: Your Edit, Narrated

Some edits need a voice: a travel film with a narrator, a product video that explains itself, a story told over b-roll. Until now you had to record it yourself. Today, Shorty can narrate your edit. Ask for a voiceover in your brief, and the director casts a voice that fits, writes the lines, speaks them and cuts the picture to every word.

Turn the sound on. Narrated with Shorty AI Voiceover: the film’s narrator and both demo voices were designed and spoken with the same voice models Shorty’s director now uses, over edits from our Auto tests.

Ask for a Voiceover

Write it in your brief, in your own words: “add a calm voiceover,” “narrate it like a nature documentary,” “a deadpan narrator explains the product.” The director reads the brief in whatever language it’s written in and takes it from there.

It only narrates when you ask for a voice. It won’t add one on its own, and it won’t talk over someone speaking in your footage unless your brief asks for narration in their place.

A Voice Cast for Your Edit

Before a single line is spoken, the director writes a voice brief: lasting traits like age, timbre, accent, energy and pace. Something like “a dry, deadpan narrator in his 30s with a slight London accent and an unhurried pace.”

It looks through Shorty’s shared voice cast first. When a voice there fits, it’s reused instantly. When none does, the director designs a new one from the brief in about half a minute, and a listening model checks the audition against the brief before it’s used. Every new voice joins the cast for the edits that come after.

The voice brief describes how the voice sounds and nothing else: never your brand, your product or your footage. Once the first line is spoken, the voice is locked for the edit, so the narrator never changes halfway through.

Frame from the launch film: a dark panel with the director’s voice brief, “A soft, warm female narrator in her late 20s with a breathy, intimate timbre, a light southern English accent and a slow, calm pace,” next to three voices from Shorty’s shared cast, the third newly designed and marked Matches the brief
The voice brief and the shared cast. A new voice is designed only when none in the cast fits.

Cut to Every Word

The director writes the script one line per beat and gives each line its own delivery: warm, hushed, quick, conspiratorial. Pauses, laughs and sighs go right into the line, and a word in capitals gets the stress.

Every line comes back with its exact length and the timing of each word, so the director cuts the picture to the voice instead of squeezing a voice onto the picture. The narration leads the edit.

Narration is captioned exactly like recorded speech. If your edit has captions, every narrated word gets them, in the same styles.

Frame from the launch film: a timeline with four Alps clips on the picture track, each starting on a red line where a narrated word begins, above the narration’s waveform and its words, Above the clouds, the world goes quiet
Each spoken line comes back with its word timings, so the cuts can land on the words.

In the Language of Your Brief

The narrator speaks the language your brief is written in, unless you ask for another, with the accent you describe. In the film, the Alps edit is narrated in English with a light southern English accent, and the Tokyo edit in Japanese.

An edit can hold up to 20 narration lines, plenty for a short that tells a whole story.

Try It

Travel short
“A 16-second vertical travel short from these two clips: the Alps first, then Tokyo at night. Add a voiceover: a warm, unhurried narrator who tells one small story, from the quiet above the clouds to a city that never sleeps. Cut the picture to the narration. Keep the clips’ music low under the voice. Captions on.”
Product video
“Cut a 20-second product video from these clips. A dry, deadpan narrator in his 30s explains what it does, one beat per shot. Captions on.”
Nature documentary
“Narrate this like a nature documentary: a hushed, curious British narrator, slow pace, long pauses between lines.”

Also New: Favorites

Tap the heart on any edit to keep it in Favorites, right under All Edits on the Edits page. Favorites are saved to your account, so they follow you to every browser you sign in on.

Frame from the launch film: Shorty’s Edits page with All Edits and Favorites in the side rail, Favorites showing 3, and red hearts on three of four edit cards
Tap a heart to keep an edit. Favorites shows them all in one place.

Good to know

How do I add a voiceover?

Ask for it in your brief: “add a voiceover,” “narrate this,” “a narrator tells the story.” Describe the voice too if you have one in mind, like “a warm, older British narrator,” and the director casts to match.

Will it talk over people speaking in my clips?

No, not unless you ask. If your brief asks for narration over someone talking, Shorty mutes their voice so the two never overlap.

Can I add narration in a revision?

Not yet. For now, narration is written when an edit is first made, so ask for it in your brief.

Which languages can it speak?

The language of your brief, or another one you ask for. The film shows English and Japanese.

Where do the voices come from?

From Shorty’s shared voice cast, made with Google’s Gemini voice design and text-to-speech. Every voice is designed from a description of how it sounds. None is cloned from a real person’s voice.

Write the story into your brief. Shorty will find the voice to tell it.


The Shorty Team

Give your next edit a voice.

Add your clips and ask for a voiceover in your brief. Shorty casts the voice, writes the lines and cuts to them.

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