Same footage.
Another feeling.

01

Turn your clips into an animated paper receipt with a printed photo, torn edge and your own text.

02

Give your footage an electric cyan scan pattern, curved contour lines and a soft blue glow.

03

Convert your footage into crisp black-and-white dots, with fine patterns that preserve shading and detail.

04

Transform your clips with deep blacks, luminous magenta highlights and a fine phosphor screen texture.

05

Follow bright or colored regions in your footage with tracking boxes, numbered targets and connected paths.

06

Give the shot a controlled handheld camera movement.

07

Keep a chosen focal area clear while softening its surroundings.

08

Soften the outer image around a clear circular center.

09

Draw directional motion blur across the picture.

10

Spin the image softly around its center.

11

Pull highlights and details outward in a zoom burst.

12

Bring out edge detail with controlled sharpening.

13

Apply a smooth, even blur to the picture.

14

Shape shadows and highlights with a cinematic color balance.

15

Adjust one color range while preserving the others.

16

Map the image tones into a custom color gradient.

17

Shape contrast with a smooth tonal curve.

18

Turn the picture into a vivid thermal-style color map.

19

Rebuild color and shading with a stable, limited-palette dot pattern.

20

Lift the brightness of your footage evenly.

21

Remove color while preserving tonal detail.

22

Shift the color palette and tune its vibrancy.

23

Balance the color of shadows and highlights.

24

Remix the image color channels into a new palette.

25

Set clear black and white points with balanced midtones.

26

Tune red, green and blue brightness separately.

27

Recolor the picture with two chosen colors.

28

Give the footage a warmer color temperature.

29

Increase the separation between light and dark tones.

126

Remap shadows and highlights into cool blue-gray tones.

134

Compress extreme tones into a soft, low-contrast photographic range.

30

Refract the image through moving ribbed glass.

31

Give the picture a slow elastic warp.

32

Turn the image into large blocks of sampled color.

33

Break the picture into displaced digital bands.

34

Send moving water-like ripples through the shot.

35

Rotate and scale the footage inside the frame.

36

Unwrap circular image coordinates into a rectangular strip.

37

Pull the picture toward a pinched center.

38

Place the image on a slanted plane.

39

Twist the picture around a central point.

40

Wrap a flat image into a circular projection.

41

Recreate a crisp one-bit Macintosh-style bitmap.

42

Add block compression and damaged-coefficient artifacts.

43

Rebuild the shot with scattered colored dots.

44

Light the image edges like a raised surface.

45

Give movement a deliberate low-frame-rate cadence.

46

Turn the image into a textured two-ink print.

47

Leave fading traces behind moving highlights.

48

Stretch bright highlights into glowing star rays.

49

Give the shot a worn analog videotape texture.

50

Rebuild your footage from changing text characters.

51

Turn shading into a printed dot screen.

52

Translate the image into oscillating signal lines.

53

Convert the image into hard black-and-white shapes.

54

Add a soft glow around bright parts of the shot.

55

Give footage the scan structure of an old color monitor.

56

Add the color bleed and line texture of analog television.

57

Separate the red and blue image channels.

58

Rebuild the picture as a glowing LED grid.

59

Render image shading as bold optical stripes.

60

Darken the edges to draw attention toward the center.

61

Convert the picture into a raised gray relief.

62

Break the shot into uneven pieces of paper.

63

Add your own title over the moving footage.

64

Spread dark ink softly across printed edges.

65

Give the footage a warm scanned-paper surface.

66

Add a controlled digital noise texture.

67

Warp the shot with your own texture map.

68

Control blur with your own grayscale focus map.

69

Blend your own texture over the footage.

70

Turn greens into a surreal infrared-style palette.

71

Give the shot a restrained warm color-film look.

72

Add warm halos around the brightest highlights.

73

Add a fine, moving film-style grain.

74

Create a monochrome film-style image.

75

Give the footage a faded warm film palette.

125

Tint the picture with warm brown photographic tones.

133

Give footage a warm, golden consumer-film-style grade with fine grain.

155

Soften contrast and color into a quiet, grainy editorial photograph.

76

Trace brightness bands into fine pale-green contour lines on a dark picture.

77

Break the picture into distorted compression blocks and torn color bands.

101

Diffuse the image into soft pastel color, blooming edges and organic ink texture.

102

Ripple the picture and light its edges with a raised, beveled surface.

103

Scatter small blue desktop folders over the moving picture.

104

Resolve the image into a regular grid of tiny ink dots.

105

Scatter small colored stars over the original moving picture.

106

Wash the picture with gently moving, water-like reflected light.

108

Smear digital scan tears and displaced color channels.

109

Give the picture a cold, metallic blue grade and subtle surface relief.

110

Break the picture into disturbed black-and-white signal lines.

111

Bend the image through repeated vertical glass panes.

112

Create a dim yellow-green analog-camera atmosphere.

113

Blend earlier moments of the actual clip into soft movement trails.

114

Reduce the picture to a coarse, four-tone green handheld-camera image.

115

Set bright shapes against a vivid, wavering rainbow signal pattern.

116

Create a low-resolution, reduced-color early-console picture.

118

Combine faded color dots with a rough, worn print texture.

120

Give footage soft analog color, tape grain and a retro television raster.

121

Use saturated warm color, green shadows and smeared nighttime light.

122

Hold real moments from the clip, then step forward to the next moment.

123

Stretch a narrow vertical strip into abstract horizontal color bands.

124

Stretch existing bright details into soft trails and luminous streaks.

127

Fracture the picture with displaced glass sections and fine cracks.

128

Push existing highlights into luminous red against deep shadows.

129

Cycle brightness bands through vivid, slowly shifting colors.

130

Combine small camera jolts with directional movement blur.

131

Layer earlier moments of the actual clip as pale, translucent echoes.

132

Reduce the image to chunky dark pixels on a pale green screen.

135

Recolor picture brightness as a vivid heat-camera palette.

136

Wrap bright parts of the picture in soft, pale photographic bloom.

137

Remap the picture into luminous pink, green and warm solarized tones.

138

Distort a printed dot screen with digital tears.

139

Focus the center of a television raster while its edges soften.

140

Rotate the picture around a chosen center point.

141

Break the image into icy blue, grainy waves.

142

Offset alternate scan fields to create an interlaced-screen texture.

143

Pulse the picture with a restrained rhythmic change in brightness.

144

Create pale pink highlights, soft off-white paper and quiet shadows.

148

Render the picture with television phosphor lines, color bleed and soft glow.

149

Give the picture a grainy green scan with fine points and connecting lines.

150

Overlay fine, connected points measured from visible image edges.

151

Convert the picture into fine, wavering blue-white signal lines.

154

Combine icy blue tones, luminous highlights and digital color separation.

157

Rebuild the picture with a fine grid of retro green text characters.

158

Press image detail into a weathered, dirty relief surface.

160

Weave coarse color blocks and repeating lines into a digital tapestry.

161

Wrap the picture into a softly lit, rotating sphere on black.

162

Create a rough magenta dot print with deep dark shadows.

163

Combine a faded red photographic print with changing fine static.

78

Give footage a warm paper print with a small embossed, wavy weave.

79

Frame moving footage as a worn paper photograph.

80

Create a soft editorial photograph with natural color and fine grain.

82

Make a softly colored, faded dot print with paper texture.

83

Set a dithered moving picture inside a scanned paper receipt.

84

Print the moving picture as a stark thermal receipt.

85

Soften the picture into a light, translucent-looking paper print.

86

Separate the picture into blue and coral ink on warm paper.

87

Combine imperfect two-color ink registration with visible grain.

88

Map the picture into deep Prussian blue and paper-white highlights.

89

Reduce colors into bold, warm poster shapes on paper.

90

Add faded warm inks, small dots and worn paper texture.

91

Turn the picture into a rough single-ink stamp.

92

Give the picture a rough, reduced-tone color photocopy finish.

117

Let soft colors and dark ink edges spread across textured paper.

119

Combine torn photo pieces, colored print marks and aged paper.

145

Give the picture an uneven, crumpled paper surface.

146

Add bright and shaded creases across a paper-like picture.

147

Set a soft, pale photographic print inside a light paper frame.

156

Soften the picture into a glowing green print with bleeding dark edges.

81

Rebuild shadows with layered diagonal ink strokes.

93

Shade the picture with fine graphite-style strokes on pale paper.

94

Build a geometric drawing from intersecting angled hatch marks.

95

Paint the picture as closely spaced dots sampled from its colors.

96

Use the density of small black ink dots to describe light and shadow.

97

Translate the picture into softly overlapping colored pastel marks.

98

Spray dark and warm colored dots into a grainy poster image.

99

Turn the picture into a blue ink-like wash with dark, painted edges.

100

Frame footage with a loosely drawn, moving ink treatment.

107

Draw the image with tangled, hand-drawn-style loops.

152

Wear down supplied lettering with rough ink, tears and grain.

153

Print supplied lettering with uneven, bleeding ink edges.

159

Rebuild the picture with a coarse RGB screen grille.